Night & Nocturne Photography • Black & White and Color Photographs • Photography Books and Websites • Information and Resources • Featured Night Photographers • Lighting Gears • NOT QUITE NIGHT
Sunday, December 27, 2009
Fort Gate Nocturne in 360 panorama
Monday, June 15, 2009
Laser Pointer, a Light-painting Tool
I want to talk about one of the tools used in my nocturne photography i.e. laser pointer. It's a small lighting gadget and yet so useful. I came to discover its usage a few years back when I was doing nocturnes at a local botanic garden, in which they have a small park named Evolution Park. It's a man-made garden in the age of Jurassic with some man-made "dinosaurs" foot prints. As it's not as gigantic as the real monster size, I was thinking hard on how to bring out the shape of the foot-prints in color. That was when the laser pointer idea came to mind. I know it's not something new especially in light-painting and night photography, but it certainly helps me in my creative work which I'll show you shortly.
Laser pointers are battery-powered laser diode and are often used in educational and business presentations where pointing out details by hand is inconvenient. It comes in varies colors - red/red-orange, blue, green, yellow, violet.
As far as I know, we only can get red/red-orange and green colored ones in the local retail stores. Nonetheless, we can still order on the internet, but the prices are steep based on the power level, measured in milliwatts, mW. The power output can be as low as 1 mW and as high as a 125 mW. It would be a thrill to own a set of varied colored laser pointers. It serves like a small paint brush to do light-painting on more precise and specific area. Take one good example from the photograph I made, shown below.
Waiting Chair. © 2009 Martin Liew Photography.
In this nocturne photograph, I applied the usual simple light-painting techniques. The room interior on the right side was lit up by a flashlight with a yellow colored cellophane paper. Next I used my LED torch light to light-paint the wall. As I set my digital camera White Balance to Tungsten, LED light induces a blue color cast which is not as vibrant as a true blue colored gel. Yes LED torch light is also another useful light-painting tool.
Lastly I used my laser pointer for the window panel. The great difficulty of using a laser pointer is the tremendously flicking shaking light due to our own natural hand shake, not to mention controling of the light beam direction. Not even people with steady hand power are able to hold still or light-paint in straight line. The greater the subject distance, the more difficult to light-paint as the area is getting smaller. Well, in this case the window panel is in straight symetrical lines, vertically and horizontally. The surface area is slim and narrower which poses great challenge. I did practice a few rounds before I press the shutter release. It takes practice to do a proper light-painting job using this small tool.
Here's another nocturne example I made using my laser pointer on the leaning door.

Red Leaning Door. © 2009 Martin Liew Photography.
I opened up the diopter on my laser pointer to have a wider light beam in rectangular shape, so I can light-paint on such bigger objects with large surface area. The subject distance is closer and controlling is a lot easier. But still, the light spilled and touched onto the wall.
So if you do many light-paintings, you can consider using a laser pointer for additional effects. I do find it very useful and certainly helps me in my creative process of nocturne photography. Thought you might be interested to know and try them out yourself.
Saturday, June 13, 2009
NOCTURNES: The Art of Surrealistic Landscape Part 3

Saturday, May 30, 2009
NOCTURNES : The Art of Surrealistic Landscape Part 2
I was right. And with the help of my friend who tagged along with me on that night, we discussed about the mixture of colored gels and which lighting method to use. For this nocturne photograph, both lighting techniques are applied. Let me explain how this photograph was made.
The first light-painting with a 1-million candle light power searchlight, covered with a lavender colored gel, was applied on each pillar on the right side, which also spill some light over onto the left-side wall. This helps to eliminate the dark shadow area, revealing more details and textures.
Next, I walked over to the left side of the staircase and using a green colored gel on my flashlight, I popped twice onto the stairs. Thereafter, I walked all the way to the end of the corridor and keep myself out of sight from the camera. With my searchlight, I switched it on and shone yellow light onto the ceiliing for about 10 seconds. That's it! Total exposure timing is 172seconds.
I really love these 3 colors as they match so well together. Basic color matches play an important part in nocturne photography and just like art paintings, it's the photographer who (as the painter) decides what color to match and to use colors to convey emotional message or express certain feeling, in their work.
Sunday, May 24, 2009
The Beauty of Night Sounds
Tuesday, May 19, 2009
NOCTURNES : The Art of Surrealistic Landscape
Saturday, May 16, 2009
Frank Relle Nightscapes Photography
Sunday, April 19, 2009
My Nocturnes Again




It was thrilling and full of excitement as I once again did it for this shot. And I thought to myself that I should go back and make some more nocturnes photographs. Well, I do have another location in mind that I want to explore, but based on my outing experience last night, my 2 camera batteries power just not enough to carry on making pictures for as long as 3 to 4 hours. I need to get 5 more spare batteries.
So if you have and want to sell off yr camera batteries, please do let me know. I'm using a Nikon D70s so it's the Li-on battery pack, EN-EL3a.
Some information on the photograph made:
This light-painting photograph was made with my Nikon D70s on Tamron 17-35mm f/2.8 lens, set at the smallest aperture @ f/22 on 'B' mode, for long exposure timing of about 3mins 30secs. Five colored filter gels are used - Blue, Yellow, Green, Lavender and Violet. WB is set to Incandescent (or Tungsten). Photograph is recorded on digital RAW.
The star burst effect on the extreme right frame is caused by the road side lamp, with which closing down to the smallest aperture will have this result. The 2 stripes of light trails are caused by the MRT trains coming and going from the MRT station nearby, on the top and passing by vehicles, on the bottom.
© 2009 Martin Liew Photography.
All nocturne photographs are solely under copyrights of Martin Liew.